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Camera
Ronald Vidor
Popular films
Jaws
1975
Westworld
1973
The Andromeda Strain
1971
Grease 2
1982
About Ronald Vidor
Known for
Camera
No biography is currently available.
Also credited as
Ron Vidor
IMDb
↗
Filmography
Cinematography & camera
37
Watch the Sky
2017
Camera Operator
→
Ritual
2000
Steadicam Operator
→
Crossfire
1999
Director of Photography
→
Riot
1996
Steadicam Operator
→
Puppet Master 4
1993
Steadicam Operator
→
The Secret Life
1993
Director of Photography
→
Beach Fever
1989
Director of Photography
→
Skin Deep
1989
Camera Operator
→
Kinjite: Forbidden Subjects
1989
Underwater Director of Photography / Camera Operator
→
Mortuary Academy
1988
Director of Photography
→
Dark Tower
1987
Steadicam Operator
→
Love Thy Neighbor
1984
Camera Operator / Steadicam Operator
→
Grease 2
1982
Steadicam Operator
→
Strange Behavior
1981
Steadicam Operator / Camera Operator / Underwater Director of Photography
→
Mark, I Love You
1980
Camera Operator
→
The Stunt Man
1980
Assistant Camera
→
The Mountain Men
1980
Camera Operator
→
Skag
1980
Camera Operator
→
Goldie and the Boxer
1979
Camera Operator
→
The Great Brain
1978
Camera Operator
→
Sorcerer
1977
Camera Operator / Underwater Camera
→
Jaws
1975
Underwater Camera
→
Freebie and the Bean
1974
First Assistant Camera
→
The Terminal Man
1974
First Assistant Camera
→
Zandy's Bride
1974
First Assistant Camera
→
Westworld
1973
First Assistant Camera
→
Cleopatra Jones
1973
First Assistant Camera
→
The Man Who Loved Cat Dancing
1973
First Assistant Camera
→
Haunts of the Very Rich
1972
First Assistant Camera
→
Fat City
1972
First Assistant Camera
→
Prime Cut
1972
First Assistant Camera
→
The Andromeda Strain
1971
First Assistant Camera
→
Five Easy Pieces
1970
Assistant Camera
→
The Happy Ending
1969
First Assistant Camera
→
Bob & Carol & Ted & Alice
1969
First Assistant Camera
→
Run To Daylight
1964
Camera Operator
→
O
One Planet
Year unavailable
Director of Photography / Steadicam Operator / "A" Camera Operator / Underwater Camera / Aerial Camera
→
Acting
1
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
2016
as Self
→
