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Film
1972Directed by Takahiko Iimura
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By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory, rhythm, phase – and the interaction between coucious conception of time, and the physical perception of its passing. Iimura is a significant and singular filmmaker, but also one of the most important 'conceptual' artist working in any medium. – Malcolm Le Grice, Time Out, April 1975, London