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Film
2005Directed by Amir Muhammad
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An experimental romance between two men is narrated against digitally manipulated imagery of that city. The narration consists of passionate verses that form a heightened, chronological record of a love affair, arranged in distinct sections, which can be termed Meeting, Loving, Lusting, Parting and Remembering. One section, Magic. breaks away from the poetry-as-narration to present instead poison charms, exorcism chants and dream interpretations.